I worked on the padding for the strawberry leaves while at the beach for Thanksgiving. Below are a few photos of the strawberry leaves ready to be appliqued to the dress.
30 November 2010
The Joys of Thread Tracing . . .
Using silk thread, I hand sewed (using a running stitch) along the stem design lines, stitching through tissue paper and body fabric.
Labels:
couture techniques,
embroidery,
metal embroidery
Dress is ready for embroidery . . .
21 November 2010
The fun begins!!!!!!!!!
Embroidery layout for silver embroidery on bodice of Duchess gown.
Padding layout. Green=carpet padding, Lilac= soft string padding, Peach= felt padding, Grey= multi-layer felt padding
Close-up of metal thread layout on Center Back panels. I chose to have the designs end on each Center Back panel instead of matching at Center Back to ensure the design would not interfere with the button closure.
Labels:
couture techniques,
embroidery,
metal embroidery
14 November 2010
Duchess Petticoat continued . . .
Finally, I hand stitched the front of the bra top down. (The back portion will be stitched down after I finish the placket.)
I hand stitched grosgrain ribbon to the back side to form the boning casing. The ribbon was stitched close to the top of the bra top to allow the boning to go the full length of the bodice.
I hand stitched the seam allowances down. This created a flatter, smoother surface for the boning to lay against. I did not want the steel boning to fray the cotton tulle.
09 November 2010
Duchess Petticoat continued . . .
Bra top attached to cotton tulle bodice. Bust cups sewn into place. The seam allowance have been overcast and stitched down.
For the lining of the bra top, I have backed the duchess satin with 400 count plain weave pima cotton. I chose the pima cotton because it is as strong as different woven interfacings but it is softer and a better match for the duchess satin. I attach the backing to each duchess satin piece by hand over casting around the edges. This holds the layers together while also keeping the duchess satin from fraying. On some of the pieces with wider curves, I also stitched a running stitch (or stay stitch) about 1/8" from the edge to give it a bit more stability.
For the lining of the bra top, I have backed the duchess satin with 400 count plain weave pima cotton. I chose the pima cotton because it is as strong as different woven interfacings but it is softer and a better match for the duchess satin. I attach the backing to each duchess satin piece by hand over casting around the edges. This holds the layers together while also keeping the duchess satin from fraying. On some of the pieces with wider curves, I also stitched a running stitch (or stay stitch) about 1/8" from the edge to give it a bit more stability.
Duchess Petticoat continued . . .
03 November 2010
Duchess Petticoat
The Petticoat for the Duchess gown will consist of a fully boned Swiss cotton tulle bodice, an attached duchess silk bra top with quilted bust cups, double satin silk silk with a multi-layered metallic silk organza skirt.
For the tulle bodice, I using 2 layers of cotton tulle. One layer is cut on the straight grain and the other layer is cut on the cross grain. I hand baste both layers together around all sides of the pieces before sewing the seams. This ensures that the 2 layers will not move around when I sew them.
For the tulle bodice, I using 2 layers of cotton tulle. One layer is cut on the straight grain and the other layer is cut on the cross grain. I hand baste both layers together around all sides of the pieces before sewing the seams. This ensures that the 2 layers will not move around when I sew them.
02 November 2010
Fitting with Leigh
I had a lot of left over denim that I used for the latest muslin (or toile) for the Duchess Gown. The denim was a closer match in fabric weight to the silk satin than the cotton muslin was.
Overall changes:
- Shorten the waist length another 1/2" (on all panels)
- Take side seam in 1/2" at top seam, tapering to zero at waistline (on Side Front and Side Back panels)
- Take side front seam in 1/2" at top seam, 1/4" at apex, tapering to zero at bust cup bottom (on Side Front and Center Front panels)
Labels:
couture techniques,
gown construction,
petticoat
Progressing is being made (I promise!)
So my sewing machine that I love, decided it needed a short hiatus before getting to work on my gowns. The needle assembly broke and was down for about 2 weeks after our last committee meeting. All is fixed now and it is running better than ever.
Progress has been slow. With the metal embroidery, on the bodice, there is very little room for alterations after the embroidery is on the gown. I had my latest fitting with Leigh last Friday. Unfortunately, I was not as aggressive as I needed to be in the previous pattern corrections, so the petticoat bodice that I had almost finished before the fitting is not usable. I have already made the appropriate pattern corrections to the pattern for the petticoat bodice and the gown bodice. Yesterday I started cutting and sewing actual fabric, so hopefully progress will start picking up.
Progress has been slow. With the metal embroidery, on the bodice, there is very little room for alterations after the embroidery is on the gown. I had my latest fitting with Leigh last Friday. Unfortunately, I was not as aggressive as I needed to be in the previous pattern corrections, so the petticoat bodice that I had almost finished before the fitting is not usable. I have already made the appropriate pattern corrections to the pattern for the petticoat bodice and the gown bodice. Yesterday I started cutting and sewing actual fabric, so hopefully progress will start picking up.
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